|
Page 6 InCider Press September 2003 |
|
THE BARBERSHOP TENOR'S CREED 1. I will remember that I am a Tenor and that Tenors are unique among men. I will conduct myself accordingly. 2. During chorus rehearsal, I will allow myself to be shushed by the Director, but at the performance, I will drive my high notes to the far corners of the room. 3. I will show a certain respect for the Bass, for few men could sing with their knuckles dragging upon the ground. I will not get mushy about it. 4. I will always remember that the Baritone really thinks that those strange notes are hauntingly beautiful. I will respect his intentions, but I will not get mushy about it. 5. I will not forget that all Leads really wish they could sing tenor, but I will not let my pity for them |
|
become obvious. 6. I will be very selective about the Lead, Bari and Bass that I will consent to sing with in a quartet. I know that I will always be in great demand, for they are many and we are few. 7. I will practice until no one can tell when I go from natural voice to falsetto, for I know it drives the others crazy. 8. When pickup quartetting, I will insist upon trying to sing the bass part, for I know it causes the real Basses great pain. 9. Whenever, in a show, my quartet manages to create an overtone, I will let a sly smile play across my face that says, "Yes, I really did hit that note". 10. I will hold my head high, remembering that I am a Tenor and that humility is for those who cannot afford arrogance. ( see Bass's Creed on page 7) |
|
Top Ten Reasons for Being a Bass: 9) You don't have to worry about a tenor stealing your job, |
|
Top Ten Reasons for Being a Tenor: |
|
THE BARBERSHOP TOP 10 |
|
Tune in next month to learn all about Leads and Baritones (if there is anything to learn about them?) |
|
Barbershopper's Creeds |